what women face in the creative working world…

i was one of the panelist at the talk at Design Circus’s conversation today about ‘creative sisters’. what i thought could have been a more interesting sharing on what are the gender discrimination that are happening and how they overcome it became more of a sharing of ‘lucky me, i didn’t face any gender discrimination, you should be fine too!’ and of the color pink. hehe i did my share of interjecting with my feminism sound bytes that probably got the rest of the panelist hating my guts but still i wish i could have said more, such as below:

Is there equal opportunity for women in the creative world?

No. although I have not work in any other field than filmmaking and training, I would say we have not yet reach the level of equal access or opportunity for women in most fields other than domestic and difficult labor such as in the factories or as servants. Even then, they usually still get paid less than their male counterpart. We have more than what we had 50 years ago but we have not reach an equal amount. More importantly than the numbers, we have not change the systems, the way we work. Women have all the same glass ceilings as men, the same ladders of hierarchy, cronyism, political games and an additional one- men, gender actually. It’s not the men per se, but the system that seems to value the idea of men more than women, the masculine values such as aggressiveness, the lack of emotions (which is seen as signs of rationality, which seem completely irrational to me) and less responsibilities towards the family are valued more in the capitalist world where profit are above people. and let’s face it, the creative world is also about making money unless one dwell solely in the indie world, painting the streets and singing tunes to a few passers by.

How about appropriate women representations in conferences and forums?

Most forums I’ve been too have a lack of women reps, look at the recent Malaysian indie films hype of 15 Malaysia, how many women are there in the 15? Not even the 30% percent quota that women’s groups demand of our governance. 2. 2 really good ones, none the less but I’m sure there are plenty more out there as well. Even when I’m organizing filmmakers anonymous, me and my crew found it hard to find films from women filmmakers, which inspired me with this new project called HerStory Films Project. Possibly also the reason why you organized this talk today.

Why are there higher ratio of male heads of companies?

Same answer as the first question. It’s a gender discriminatory system. And to complicate it, in any work you do, you’ll find that it is a cross section of many discriminatory system, depending on who or where you work, it may favor a certain race, whether you’re Malaysian or not, if you came from rich or poor background and if you’re fairer or darker, fat or skinny, have all accounted limbs …even though all these things have no relevance to one’s intelligence or capability. Are u smarter cos u’re white, rich, slim, have a dick and sleep only with the opposite sex? No. you’re smarter cos u put in the work, did the research and think critically about the world around u.

How can women contribute at work and have a family?

How come the men never get asked this question? Don’t they have families too? In Scandinavian countries, Norway, Sweden… they have better gender equal policies that allowed both men and women to take part in family affairs and work. Example, they encourage both husband and wife to take turns at maternity leave, so it’s not surprising to see many men taking care of children at the playground during working hours while their wives get back to work. The men has been cited happier as well, for the bonding with their children strengthen. Maybe that helps make these countries rich?

Is it normal to be sexually discriminated?

Are you talking about sexual harassment or discrimination based on sex? Both should not be normal. Sexual harassment occurred so often, most women thinks it comes with the job, it shouldn’t, it is wrong. Malaysia has one law that comes close to criminalizing this but just deal with the physical aspect, not the mental or emotional. Some credible companies have policies against sexual harassment, so check and see if your company has, if it has, you can take up the case with someone higher up than your perpetrator, if your company don’t have, ask them to put it in, get your fellow workers to sign petitions and make them put it in. Hold strikes if you have to. it should covers all asses, male, females and transgender, from abusive colleagues and superiors too. Happy people definitely put in better work.

Is it normal to be passed over for promotion because of your sex?

It happens a lot. But what is common doesn’t mean it is right. And of cos it doesn’t mean we should just accept things as it is and lay there like a doormat. If people throughout history just accept all the injustices thrown at them, then the blacks would still be slaves, Malaysia and many countries would not be independent, women still would not get to vote. What rights we have today have been fought by people before us, we aren’t alone in our struggle, we stand on the shoulders of brave women and men. And how sad it would be, if they fought for us just to lay like a doormat, we should continue the good fight and make sure the future generations have a better world, regardless of gender, sexuality, race, religion, age and abilities.

So what can you do?

You can organized the workers in your company, work with ngos that deals with gender like AWAM and WAO, there’s also a gender committee of the Bar Council. These people can help you formulate good gender policies for your company, making it more credible and attractive to new women creative talents. Or create another space, safer spaces for women to achieve their full potential and talents. And in the creative world, potential talents can blow one out of the box!

does politicians and marketeers care about you? REALLY??

such as demonstrated in the below articles:

Youth Engagement Summit 2009: Saying “no” to actual engagement (Malaysia)

…YES 2009 was a “honest discourse on the inspiration that is Obama,” according to Sledgehammer Communication’s Harmandar Singh; running in conjunction with the summit was the SEACHANGE Movement, which urges young people to “Say ‘yes’ to change”.

But Obama and the change he represented was, over everything else, political change. It’s quite clear that change of that sort, here in Southeast Asia, is pressing: you need only look at Burma and its military junta – or, for that matter, ourselves.

When Youth Asia’s Ng Khai Lee delivered his speech at the summit’s opening, the word “politics” was conspicuously missing. Harmandar himself said that the “movement is apolitical”. So YES 2009’s jumping on the catchphrase bandwagon was disingenuous, at best. No wonder Obama gave it a miss….

‘Trading Women’s Rights for Political Power’ (America)

…House Democrats voted to expand the current ban on public financing for abortion and to effectively prohibit women who participate in the proposed health system from obtaining private insurance that covers the full range of reproductive health options. Political calculation aside, the House Democrats reinforced the principle that a minority view on the morality of abortion can determine reproductive health policy for American women….

____________________________

itulah realitinya, if u don’t care about ur own rights, welfare and of those who have no voice of their own, the capitalists and politicians isn’t going to be bothered.

and in Malaysia, your rights is guaranteed in the Federal Constitution, ah, strange big words eh? made easy with videos ( that i helped made) here:

www.perlembagaanku.com

and if you’re not gonna be bothered about finding out about your rights,haha all i can say is u deserve to have the monkeys running your country and mine.

much peanuts. 🙂

My film is premiering at ‘Women In Love’ FA 11!

Filmmakers Anonymous and Central Market present
A Herstory Films Project

FA 11 special, free short films screening on 26 Sept, 6pm@ Annexe!

FA 11 special, free short films screening on 26 Sept, 6pm@ Annexe!

“Women In Love” FA 11
6pm at Arts for Grabs, Annexe Gallery
Saturday
26 September
FREE ENTRANCE!

Premiering Mien.ly’s film ‘2 Boys, 2 Girls and A Beat Up Car’
Also featuring films from Margaret Bong, Juliane Block, Nadira Ilana and more!

Desires. Sex. Love. What does it mean to women? These women filmmakers explore and showcase their stories for this special FA.

Herstory Films Project wishes to launch this space to share your love story, be it fairytale or forbidden, proudly or anonymously…as long as you identify as a women, we want to hear your story and possibly film it. Herstory wants to appreciate women’s sexuality the way they tell it.
http://herstoryfilmsproject.blogspot.com/

Due to the lack of women filmmakers in Malaysia in general and making films on desire more specifically, we whop up some previous FA films that fit this category. Still make for an interesting watch, so see you there!!

TOTAL RUNNING TIME: 60 MINUTES (discussion with filmmakers and Herstory organizers after)
All films have English subtitles. The screening is free. Central Market Annexe is located behind Central Market, near Pasar Seni Lrt station. For more info please contact Anonymous at 012-6969455.
ps. if you are an addict yourself, please feel free to bring dvd copy of your film to the screening and pass to Anonymous.

1. ‘It’s Not About Anything, It’s About Everything’ by Crystal Woo and Sidney Tan  (2006/ 14 mins)
Synopsis:
A short film about Yee May who finds herself caught between two men and turns to unconventional means to solve her dilemma.

Directors’ Profiles:
Crystal Woo and Sidney Tan have collaborated on various projects that include short experimental video works, comics, and films. Sidney Tan draws & designs for a living, and Crystal Woo art directs and writes for a living. Together, they are fascinated by pictures in the head…ideas in space…and stories floating everywhere.

2. ‘Sub Rosa’ by Nadiah Hamzah (8.45mins/2009/color)
Synopsis:

Can true love prevail above all others? Ayesha, a Muslim African American struggles to balance her faith and liberal freedom. Kurt – yearning for a sense of belonging gets caught up in the bludgeoning Brooklyn hipster neo-subculture. A unexpected encounter brings the two together. Despite their worlds of differences, they not only find love, but also discover their selves.

Director’s profile:
Nadiah Hamzah is based in New York, and is constantly inspired by the many sights and sounds of the city. She enjoys everything and anything by Catherine Breillat, Alejandro González Iñárritu, Takashi Miike, Michel Gondry and Yasmin Ahmad. Nadiah is also an avid cinematographer (DP reel can be seen at http://www.youtube.com/nadiahhamzah) but wishes she had more chances and money (or any money at all) to shoot on 35mm film. She is currently writing her first feature screenplay.

3. ‘She’ By Idora Alhabshi 13mins/color/2006
Synopsis:
An art house short film featuring the talents of Bernice Chauly. A story placing moments before bitter separation. It explores her intuitions, past experience and emotional turmoil before making her first step of courage.

Director’s Profile:
I’m based in kl but im in melbourne studying fine arts: media arts and photography in RMIT. eeedowrah@yahoo.com

4. ‘Eyefinger’ By Margaret Bong      (10mins/ 2008)
Synopsis:
A woman suffers depression of the lost of her son. With or without the son the deaf couple have to face their daily life in silent.

Director statement:
What we can hear is that what we want to hear? I always want to know how is it like being a deaf and mute. At times, we thought they are different but we all just the same. Everyone has their sorrow path in life either we see it, hear it or not.

Director’s Profile:
Bong majored in Broadcasting and Cinematography at the University Malaysia Sarawak. She has been invited to participate the Asian Film Academy, organized by the Pusan Film Festival. She has written, produced and directed 6 short films. In 2005  “Lie Beneath” was shown in festivals in Bangkok, Hong Kong, Singapore, while her short documentary “Tudtu, The Salt Boy” has been shown in Malaysia, South Korea, Italy, Brazil and Lebanon. She has just finished her feature documentary “The Weight of Salt”.  Now she is writing another short film.

5. ‘Bare Hands’ by Nadira Ilana    (2mins30secs)

Synopsis:
Bare Hands is an original poem over stock images put together at the last minute for a classroom assignment (yes it happens to filmmakers too). It is the honest voice of a girl stricken by insecurity and the fear of loss, striking the question “does he love me for me or what I am?” Bare Hands is essentially about one’s discovery of the meaning of love; how young love always struggles to measure up to its ideals and forces us to reckon with who we are and what we have to offer anyone or ourselves. How hard do we need to try to keep love alive? Should we come bearing gifts? Or with bare hands? That is… if you have hands.

Director’s profile:
Nadira Ilana is a passionate Sabahan and filmmaker. Born and bred in beautiful Kota Kinabalu, this former film student, now humble filmmaker/video artist’s further education was spent in Brisbane, New Jersey and New York City. Keeping track of her can sometimes be a game of ‘Where’s Wally?’ but she is currently temporarily residing in Brisbane where she is editing her next project. Favourite past times are also: photography, diary writing, karaoke, making collages and cursing at the Sabah electricity board for making her start impossible jigsaw puzzles (like ones of Klimt or with lots of sky and padang) she cannot finish but starts anyway because there’s no internet or Astro during our perpetual power cuts. Visit http://feistgeist.wordpress.com to follow more of her readings and thinkings.

6. ‘Kow Loon Story’ by Juliane Block (5 mins/2009)
Synopsis:
A lonely woman leaves a trail of colorful origami in her struggle against the gray anonymity of a metropolis.

Bio:
Juliane started her filmmaking career in Germany, before she migrated in 2005 to Asia. Her directing credits include now several award winning shorts and a feature which have been screened at various festivals around the world. Juliane is a graduate of the University of Art Braunschweig, Germany and works as graphic artist when not busy making movies.

7. ‘2 Boys, 2 Girls and A Beat Up Car’ by Mien.ly (11 mins/color/2009)
Synopsis:
Heng and David swop stories about how they meet their girlfriends- Katherine and Beth. Katherine and Beth explored a beat up car instead. Oh, the many ways of falling in love! Featuring the amazing casts- Davina Goh, Anrie Too, Alfred Loh and Michael Chen. Info and photos at 2boys2girlsandabeatupcar.blogspot.com

Director’s Profile:
Through films, Mien.ly searches for love, for justice, for equality, for diversity, for humanity, for herself. As a profession, she is between a trainer and a filmmaker. She sees in a spectrum of lights and thinks that the world is more beautiful for the rainbow. She attempts to wield a blog at mienly.wordpress.com.